Argentine Film ‘The Tenth Man’ Opening SF Jewish Film Festival July 21

Cine Mas SF is excited to co-present a couple of wonderful films at San Francisco Jewish Film Festival. The festival runs from to July 21-August 7 in San Francisco. For full festival details visit: JFI.org

THE TENTH MAN (Opening Night)
Daniel Burman | Argentina | Narrative
Get your tickets.  July 21 6:30pm Castro Theater


Ariel lives in New York, far from the lively Jewish district in Buenos Aires where he grew up. But when his father summons him back home for help, Ariel reluctantly returns. The Tenth Man is a kindhearted comedy with a gentle romantic touch. Director Daniel Burman (All In, SFJFF 2012) joyfully upends the old adage that you can never go home again and instead says, maybe under the right circumstances, you can.

HOW TO WIN ENEMIES – Gomo Ganar Enemigos
Gabriel Lichtmann | Argentina | Narrative

Take a classic Woody Allen–style antihero, add Alfred Hitchcock–level intrigue and a strong dose of Argentine sex appeal, and you have this comic, poignant and smart feature. Director Gabriel Lichtmann shows the complicated family relations of Lucas, a young Buenos Aires Jewish lawyer and a mystery buff (he even has a dog named Sherlock) as he solves the mystery of who conned him out of a down payment on a house.

Get your tickets.

Latino Experience at Frameline SF International LGBT Film Festival Starts June 16

It’s June. That means it’s Pride Month and the San Francisco International LBGT Film Festival is coming up! Now in its 40th season, Frameline40 runs from June 16-26. For full festival details visit Frameline.org Cine Mas SF Latino Film Festival proudly supports the following film program.


BRUISING FOR BESOS- USA

For tickets  Sunday June 19 7pm Rialto Cinemas, Tuesday June 21 Victoria TheaterBruisingForBesos_Frameline
In this beautifully shot love story, Yoli is a seductive queer xicana artist who finds great passion with Daña, an alluring Puerto Rican nurse. But their growing intimacy stirs up their own troubled histories. Can Yoli break the cycle, face the past, and create something new for herself?

FROM AFAR/Desde Alla- Venezuela/Mexico
For tickets. Wednesday June 22 7pm Victoria T
heater, Thursday June 23 9:30pm

Armando (Alfredo Castro), a middle-aged single man who makes dentures and is terrified by the prospect of physical contact, spends his free time walking the streets of Caracas and cruising for tough young men. His interest is less in sex than in power, as he seeks control FromAfar_DesdeAllaover these macho boys in return for payment. The dynamic changes after he invites home a volatile car mechanic named Elder and the teenager refuses to play by Armando’s rules. Rather than move on to another conquest, though, the older man becomes bewitched, stalking Elder in the streets and eventually offering him a kind of home life. Golden Lion Winner at the Venice Film Festival

RARA – Chile
For tickets. Friday June 24 6:30pm Castro Theater,Saturday June 25 5pm Landmark Theatres Piedmont
Rara_FramelineThe story, which is both a poignant coming-of-age tale and a based-on-a-true-story account of a same-gender marriage threatened by social forces, begins with a tableau of relative domestic harmony: Paula (Mariana Loyola) lives with her partner, Lía, and her two daughters, Sarah and Catalina. Her ex-husband, Victor, lives nearby with his new wife, Nicole, and the girls shift easily between the two homes. But internal tensions and external pressures slowly begin to unravel the family tapestry. Standard mother-daughter squabbles and explosive moments of adolescent angst that are par for the course in any family spark heightened anxieties in a family with lesbian parents living in a conservative-leaning community—an outwardly tolerant environment with a latent underpinning of insinuation and judgment.

GIRL GETS GIRL/ De Chica en Chica – Spain
For tickets.  June 18 6:30pm Roxie TheaterDeChicaEnChica_Frameline
Sexy, smoky-eyed Inés can’t keep her hands off anyone she meets. But when she’s caught cheating on her girlfriend in the bathroom at a funeral, the aspiring and broke erotica writer escapes back to Spain after ten years away.

YOU’LL NEVER BE ALONE/ Nunca Vas a Estar Solo – Chile
For tickets.
Thursday  June 16 10pm Castro Theatre ,Wednesday June 22 4pm Castro Theatre
After 25 years managing a factory that produces mannequins, quiet, introverted Juan (Sergio Hernández) hopes to be made a partner with the company. At home, his eighteen-year-old son, Pablo (Andrew Bargsted), has dreams of stardom, studying dance at a respected art school. In addition to teaching neighborhood children choreographed dance Youll Never Be Alone_Framelinenumbers and clubbing with his best girlfriend, Mari (Astrid Roldan), on the weekends, Pablo’s life revolves around performing, auditioning, and occasionally sneaking around to sleep with a neighbor boy. While Pablo and his widowed, hard-working dad don’t have a whole lot in common, neither seems to let that get in the way of caring for each other. Everything changes, however, when Pablo is brutally attacked by a group of homophobic kids from the neighborhood. With legal action and medical insurance proving to be both unhelpful and costly, Juan decides, in desperation, to seek out his own form of justice for his son.

TAKE ME FOR A RIDE / Uio Sacame a Pasear- Ecuador
For tickets.  Saturday June 25 9pm Roxie Theater
Sara has attempted to fit in with her classmates, but by the beginning of her senior year, she can’t really be bothered anymore to hang with the other teens at school or try to rekindle a dissatisfying relationship with the boy next door. Isolating herself in the smoky haze of a hidden alcove, she is content to live her life apart, spending contemplative solo TakeMeForARide_Framelineafternoons in the soft Quito sunlight. That solitude ends when new girl Andrea transfers to the high school and finds her way into Sara’s alcove to share a smoke. The girls quickly become inseparable, discovering a mutual love of live music and tentatively sharing feelings of alienation, of “being weird” in a restrictive culture that doesn’t welcome much difference. Micaela Rueda’s beautifully observed debut captures the obsessive euphoria of falling in love, focusing on the secluded, dreamy moments when it seems that the world is inhabited by only two people. Laced within the intoxication of the girls’ passion is the volatile threat of social and parental rejection, endangering their private sphere. Will they have the courage to follow their hearts, to embrace and proclaim their love?

I PROMISE YOU ANARCHY / Te prometo anarquia- Mexico
For tickets.
Sunday June 19 9:15pm Castro Theater, Friday June 24 9:30pm  Victoria Theater
A gritty, visually arresting portrait of contemporary Mexico City, this spectacular new drama from writer-director Julio Hernández Cordón (Gasolina) follows a pair of IPromiseYouAnarchy_Framelineskateboarding paramours who revel in their blissful sexuality while making a living through black-market blood trafficking. With drug-related violence at an alarming high, business in the underground blood trade proves lucrative for the charming, entrepreneurial Miguel (Diego Calva), who orchestrates groups of his friends and neighbors to get “milked,” as he calls it. As the demand for blood and the size of the jobs increase, he enlists his bisexual, rough-around-the-edges lover Johnny (Eduardo Eliseo Martínez) as his business partner, hoping to provide a distraction from his clingy sometime girlfriend Adri (Shvasti Calderon). However, as the stakes start to rise, Miguel and Johnny quickly find themselves in over their heads.

John Leguizamo Returns to Berkeley Rep with Latin History For Morons July 1-Aug 14

Freak, Mambo Mouth or Spic-0-Rama? Moulin Rouge, Cronicas or Too Wong Foo, Thanks For Everything?  Do you remember House of  Buggin’?  Perhaps you’ve been watching him on Bloodline. We all have our favorite work of his. If you’re a John Leguizamo fan, you’ll have a chance to catch him live in the Bay Area as he returns with his new solo-show this summer starting July 1 with John Leguizamo: Latin History for Morons.

In John Leguizamo: Latin History for Morons, the outrageous, multifaceted performer attempts to teach his son (and the rest of us) about the marginalization of Latinos in U.S. history and the vital roles they played in building this country. From a satirical recap of Aztec and Incan history to stories of Latin patriots in the Revolutionary and Civil War and beyond, Leguizamo breaks down 3,000 years into 90 irreverent and uncensored minutes in his trademark comedic style. History was never so mind-blowing…or hysterical!


Latin History for Morons
plays July 1-August 14 at Berkeley Rep Theater. Discounts for under 30. Bring a group: Buy 10, save $10 (each ticket!)

Click here for tickets.

Los Punks, El Chivo at SF Doc Fest June 2-16

‪#‎SFDocFest‬ is back June 2-16. We’re happy to be co-presenting a couple of films Los Punks; We Are All We Have & El Chivo. Visit SFindie.com for full fest details.

EL CHIVO– directed by  Rod Murphy
2016, USA/Mexico ,78 min. West Coast Premier
Roxie Sun June 5, 915p; Mon June 6, 7p

Tickets: http://bit.ly/1XT2ZbS

ElChivo_DocFest
When runner Will Harlan won Mexico’s infamous Copper Canyon Ultra Marathon, the indigenous Tarahumara dubbed him El Chivo (the goat). Since then, he’s changed his life and his family’s lifestyle acutely. While he prepares to return to the canyons to race again, El Chivo chronicles Harlan’s motivations to live deliberately, while illustrating the toll it takes on his body and family.

 

LOS PUNKS: WE ARE ALL WE HAVE
directed by. Angela Boatwright
2016, USA, 79 min. West Coast Premiere. LA Stories. Music Spotlight.
Roxie Theater, Sat June 11, 915p, Wed June 15, 915p

LosPunks_SFDocFestTickets: http://bit.ly/24kTlie

Punk rock is thriving in the backyards of South Central and East Los Angeles, made up of a cobbled-together family of Hispanic teens and young adults in the mosh pit. It is all about the bands, fans, production, marketing, and security, interwoven in a sub-culture of thrash and noise. The sense of belonging is palpable; emotional bonds fostered among good families and those broken, poverty and wealth, adolescence and maturity, with the music emanating a magnetic chorus for all to sing together. A documentary that honestly and sincerely portrays this vibrant ‘DIY’ community.